My Year Without Violence

Film, My Year Without Violence, Theatre

Over the past two months I’ve been considering my decision to abstain from violence in 2017.

The thought first came to me when I was writing to my older brother about HBO’s new television series, Westworld. Like so many others, I was really kind of thrilled about the show. I love sci-fi, puzzles, and philosophy. And there’s this great list of contributors to the whole: Michael Crichton, Jonathan Nolan & Lisa Joy, J.J. Abrams, Anthony Hopkins, Ed Harris, and many more.

Express Stops

Directing, Performance, Playwrighting, Theatre, Uncategorized, Writing

In 2008, I managed a black-box theatre and rehearsal space just off of Times Square. A bit more on that can be found in an earlier post.

 

Theatre4

 

One of the things I just failed to launch was one evening a week where our resident ensemble performed an hour of original short plays and vignettes. “Slice of life in NYC” sort of thing. Short, punchy, experimental stuff. I had written a number of short pieces to try out in the first evening, and would have been joined by some other writer friends of mine in time had it been successful. I wanted to call it Express Stops.

Burnt Njál (Unfinished)

Playwrighting, Writing

The Story of Burnt Njál, or Njál’s Saga is a 13th century Icelandic work of prose that I began adapting into poetic form sometime after working on and performing Shakespeare’s Pericles at the Texas Shakespeare Festival.

Similar to Shakespeare’s epic, I used iambic tetrameter for the prologue/chorus and pentameter for most of the rest. The text I based my adaptation on is George Webbe Dasent’s 1861 English translation of the saga.

I ended up abandoning the project like a sinking Snekkja longship (no money in that kind of piffle) but here’s a look at my progress below.

I rather like the courtship bit between Hrut and Unna; it reminds me of how deeply I was into Shakespeare at the time as it’s very reminiscent (albeit so very much shorter) of his own many wooing scenes, like the one between Petruchio and Kate in The Taming of the Shrew.

(Note: If anyone wishes to use any of the scripts posted here for performance, please do! Just drop me a line to let me know they actually getting some use, and I’d appreciate being acknowledged in some way if the production is more substantial than scene-study work.)

 
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1.1 Prologue

Chorus

In Broadfirth dales our story swells,

Where one by name of Hauskuld dwells.

Of stout and gen’rous heart this man,

And to a feast bids he the land.

His own half-brother Hrut he calls;

A handsome man, and strong, and tall,

Well-skilled in arms and temper mild

A counselor wise, but warrior wild.

This Hrut on brother now attends,

And sits beside him as he bends

His eyes to that same golden prize

which ‘cross the feasting hall now lies:

A daughter, plays amongst the girls,

Her silken hair hung all in curls,

So fair of face and tall of growth,

The pride of father and of host;

Hallgerda named, and mind you now

Remember at this moment how

One brother wise, with vision keen

Does make the future present seen.